It was a star-studded event this past Friday when NYC Men Teach presented: “A Hip Hop Cypher.” Everyone bought their best rhymes and poetry to the cypher while some of today’s top Hip-Hop artists and influencers stopped by to drop some beautiful gems for the next generation of Hip-Hop artists. Celebrities who were in attendance included Big Tigger of BET’s Rap City, the lovely Free (formerly of 106 & Park), Philly’s own Freeway who was celebrating 19 years of his debut album Philadelphia Freeway; News anchor/activist Dr. Marc Lamont Hill who dropped tons of Hip-Hop knowledge on us, DJ Whutever and Umar Bin Hassan of legendary spoken word group The Last Poets who served as the elder for the evening’s festivities.
Everyone bought their A-game to this successful and positive event. What a way to cap off Black History Month 2022! Thank you to the moderators Nathaniel Smith, Vincent Deas and DJ Faro who kept us dancing to the hits all night! Special shoutout to all the great people over at NYC Men Teach for putting together such an informative and insightful event! Keep educating! -xoxo
In today’s monetized music business, women are pushing the envelope and shattering traditional glass ceilings that were once set in place to keep men on top. With so many women in the industry currently making moves both in front and behind the camera, it’s becoming more and more obvious that music may be the surest way to skip all the loop holes and go straight to the top in corporate America. But who gets taken advantage of now that the women are becoming the leaders?
After joining Motown Records just seven years ago in 2014, Ethiopia Habtemariam rose through the ranks of corporate America while overseeing some of today’s most popular artists like Lil Baby, City Girls and Vince Staples. Habtemariam made it to the tippy top of the music industry where the bosses reside and she didn’t have to be overly sexual or twerk anything in front of any camera.
Then you have Mona Scott-Young, a Haitian-American television and music executive who is responsible for creating the popular reality television series Love & Hip-Hop that has garnered a lot of attention over the years for perpetuating a bad image of hip-hop artists. Mona Scott-Young recently made the news for claiming that she gets way more criticism than her white male counterparts (i.e. Ryan Seacrest, Andy Cohen) due to the fact that she’s the only Black woman in her position. The interesting thing about Mona Scott-Young’s story is that her Love & Hip Hop show actually creates a platform for up-and-coming music artists to be seen. It was Love & Hip-Hop that introduced Cardi B to the world right before the sex-driven, Bronx-born rapper took the music industry by storm. So, can we be that mad at Mona Scott-Young for the image that Love & Hip-Hop portrays? Cardi B is undeniably one of the most successful hip-hop artists in history to date. Who knows if she would have reached this pinnacle without being featured on Love & Hip Hop? It’s almost like a double-edged sword.
Success is success is success! However, it’s harder for the older generation of music lovers to accept this brand new world of music. They’re the ones who grew up watching Lauryn Hill do it with such grace and class.
Lauryn Hill was and still is a beautifully talented artist who sold millions of albums and made a lot of money while keeping all her clothes on — a true gem in Hip-Hop. Still whether behind the camera, in the office or on stage at The Grammys, women in music, both the artists and the executives are raising the bar for many generations to come. And we definitely love to see it! -xoxo #BrooklynGirlCode <3
#TBT’s to #Coachella 2018 when social distancing was an unknown verb… 😢 It was the best of times and what a time to be alive! Who would’ve thought that just two short years later the whole world would be a different place? Thank goodness for pictures to help us hold on to all the special memories for a while. Check out some of our best photos from Coachella 2018 aka “Beychella.” While we quarantine, we’ll just close our eyes and imagine we’re there. Better days ahead! -xoxo #BrooklynGirlCode™
Photo taken by Aziza Hassan for #BrooklynGirlCode™ at the 2018 Coachella Valley Music & Arts Festival
A huge and unexpected snow storm hit NYC this past Thursday. It was messy and caused record breaking traffic jams in the tri-state area. But that didn’t stop E.K.O. Event Group from hosting a great event at the swanky Yotel hotel located right in the heart of Times Square, New York.
The event aptly titled “New Connections Mixer” had a great turn out despite the storm. The building was packed with intelligent, smart and successful young professionals doing their thing in the media, fashion and beauty industries. Young millennial representatives from conglomerates like beauty house Estée Lauder and media powerhouse BET came out to give good advice and share their stories of success with the next up-and-coming corporate executives. So, you already know #BrooklynGirlCode was in the building and we had a wonderful time making new connections at the “New Connection Mixer!”
Check out pics from this past Thursday’s event below and make sure to enjoy your weekend! -xoxo #BrooklynGirlCode™ 💜
“Now when freaks get dressed to go out at night
They like to wear leather jackets, chains and spikes
They wear rips and zippers all in their shirts
Real tight pants or fresh mini skirts
All kinds of colors runnin’ through their hair
And you could just about spot a freak anywhere
But then again, you could know someone all their life
But might not know they’re a freak unless you see them at night, ’cause
Whodini who began to make a name for themselves in the music industry with their pumped-up stage shows and funkadelic wardrobe consisted of main lyricist Jalil Hutchins, co-vocalist John Fletcher (a.k.a. Ecstasy) and DJ Drew Carter (a.k.a. Grandmaster Dee). Although the duo released their self-titled debut album the previous year in 1983 which also featured the Halloween-themed song “Haunted House of Rock,” the group didn’t get the response they expected until the release of Escape one year later. Escape proved to be a fan-fave and would go on to sell one million copies in the U.S. alone! Whodini would also go on to set the trend for Hip-Hop artists being able to perform in large stadium venues after helping pioneer the Fresh Fest tour. The first Hip-Hop tour to play in a large colliseum nationwide.
Later on Whodini’s music would go on to be sampled by Hip-Hop mega stars Will Smith, Dr. Dre, Ice Cube, Nas and even the late Tupac Shakur. Whodini proved that they were a force to be reckoned with not just in Hip-Hop but all genres of music! Check out the video for “Freaks Come Out At Night” below and let us know when you catch a young Jermaine Dupri showing off his best break Dance moves!
Have you ever listened to TLC’s mega hit “Waterfalls?” Have you ever played your Stankonia CD by OutKastso many times that it just completely stopped working? Perhaps you’ve sung En Vogue‘s 1996 hit “Don’t Let Go (Love)” or Xscape‘s 1995 song “Keep It On The Real” at the top of your lungs so high that you completely lost your voice? If you’ve found yourself doing any of these things then more than likely you’re a fan of legendary Atlanta production trio Organized Noize. Organized Noize which consists of Rico Wade, Ray Murray and Sleepy Brown have been producing some of your favorite hits since the early 90’s. This past May 5th, the trio released their first collaborative self-titled EP, Organized Noize. The EP features appearances from Atlanta’s own 2 Chainz, Big Boi, Cee-LoGreen, Joi and others. Although the album only consists of seven tracks, Organized Noize did an excellent job of getting their musical point across. Consciously aware songs like “We the Ones” and “Why Can’t We” that tackle all the political and cultural tensions currently taking place in America in addition to psychedelic tracks like “Kush” and “Awesome Lovin’” where the trio show off their trademark sound would give any music lover a musical high. I had the huge opportunity to interview Organized Noize last week during one of their press days. We spoke about the group’s upcoming projects, their 2016 Netflix documentary The Art of Organized Noize and some other things.
Speaking with the three young men, you’re initially thrown back by their humility. I myself didn’t know Sleepy Brown was even a producer. All these years I assumed he was just a background singer/hypeman for legendary hip-hop duo OutKast. Many people are used to seeing Sleepy Brown alongside OutKast in some of their more popular music videos like “So Fresh, So Clean” and “The Way You Move.” So, after finding out Sleepy Brown was responsible for producing all this awesome music, I was truly impressed. However, after speaking with him it makes perfect sense. Sleepy Brown’s father, Jimmy Brown was also involved in music and was a lead vocalist in the 1970’s funk band Brick. Brown also credits his dad for being a huge inspiration in his musical career. Although Brown is often compared to the late great hip-hop artist Nate Dogg because of their similar jazzy, melodic song hooks, he tells me he doesn’t mind the comparisons at all and is actually honored. As far as musical influences, Sleepy Brown says Curtis Mayfield, Isaac Hayes and the Commodores are his top three faves. Pretty decent top three!
Next up is Rico Wade who serves as a leader for the group and is also the most outspoken of the three. Rico Wade who can be seen wearing a mask quite often these days says that the mask represents his evolution in music and the group’s alternative style that is well known all over the world. When I ask Rico Wade what initially drew him to hip-hop music, he says that watching the video for “Rapper’s Delight” by The Sugarhill Gang and classic cult movies like Breakin’ and Krush Groove made him love the music and culture. Well thank goodness he decided to watch those films because without Rico Wade there would be no OutKast, Goodie Mob, Joi, YoungBloodZ, Slim Cutta Calhoun, Future and many others.
Rico Wade is the one who can be blamed for facilitating all these artists in his mother’s basement back in the early 90’s which is how the Dungeon Family got the idea for their name. Rico Wade was the one who gave all these talented people a safe place to express their feelings through hip-hop music. And since no good deed goes unpunished, the Dungeon Family eventually went on to sell 75 million plus records under Wade’s guidance. No big deal! Music Executive L.A. Reid also credits Rico Wade for introducing him to hip-hop music.
When I ask Rico Wade who his top three producers of all time are he names Quincy Jones, George Clinton and James Brown. Go figure since OutKast’s classic 1994 debut album Southernplayalisticadillacmuzik pretty much served as the group’s Thriller album in that it catapulted them to a much higher level in their music careers. When I ask the group what it was like producing and creating Southernplayalisticadillacmuzikback in the early 90’s and if they knew that the album would take off like it did, Rico Wade responds:
“We had to earn our respect. It was a time when Nas‘ song “One Love” (off his 1994 debut album IIImatic) and Raekwon were getting all the airplay on the radio. People weren’t used to hearing rappers with a southern dialect over hip-hop tracks. So, we had to convince the New York DJ’s to play our stuff.”
Wade’s perseverance paid off and OutKast went on to not only find a place amongst hip-hop’s elite but amongst all of music’s elite. But, it didn’t happen over night. Rico Wade’s influence was heavy and even spilled over to his close family members. A young hip-hop artist right out of Atlanta that went by the name “Future” wanted to excel in music like his older second cousin. Future went on to become a top selling hip-hop artist as well. The only negative repercussion of Future’s success is the heavy glamorization of drugs in his music (i.e., “Mask Off“) that Wade wishes would come to an end. Wade states:
“Future, that’s blood. But, I still feel like he can be more creative in his lyrics.”
Nevertheless, all eras eventually come to an end and with consciously aware artists like J. Cole, Chance the Rapper, Logic and Kendrick Lamar doing big things in music these days, we may see an end to all the “drug rap” real soon.
Finally is Ray Murray who just may be the most humble one out of the trio. Although he’s pretty quiet, he serves as somewhat of a back bone for Organized Noize. He also served as a mentor for Goodie Mobb member Big Gipp who credits Murray for teaching him the art of rap early in his career in the group’s 2016 Netflix documentary The Art of Organized Noize. In the documentary directed by Quincy Jones III, we also find out Ray Murray is a graffiti artist and when I ask Murray if he still does his graffiti when he’s not making music he replies: “What you know about graffiti?” When I ask Murray who his top three producers of all time are, he politely states, “Jimmy Jam & Terry Lewis, Teddy Riley and Rico Wade.”
No doubt Organized Noize has already cemented their position in music history. However, they are not done. With new projects coming up soon including Big Boi’s new album Boomiverse which the trio executive-produced, these guys are back in business. In a time where everything is being recycled in music and originality is almost non-existent, it’s nice to know that Organized Noize is here to bring some creativity back to the game. Purchase the Organized Noize EP here and stay tuned for upcoming news from Atlanta’s legendary production trio via their website http://therealonp.com/. Keep up the awesome work fellas! <3
By now everyone should be familiar with the young Chicago hip-hop artist Chance the Rapper. He’s been seen on various television shows including this past July’s ESPY Awards. What many people may not be familiar with is how the young rapper got his start in the highly-competitive music industry and what he did to make it to the top of the industry in such a fast time.
After meeting at a Hooters restaurant in Chicago with his now manager, Pat Cocoran, Chance who then only had a local buzz in his hometown, decided he wanted to go forward with his music. He enlisted Cocoran to manage all his moves and with this one decision everything began to take off from. After releasing his mixtape 10, Chance began creating a buzz in Chicago and even started getting calls from music industry big wigs like Sylvia Rhone and Antonio “L.A.” Reid. Still, Chance and Cocoran chose to be patient and wait until the perfect deal came along before they signed on the dotted line.
In Chance’s case, patience proved to be a good choice. After selling out a small venue in his hometown with a capacity of 500 people, fellow hip-hop artist/actor Childish Gambino caught wind of Chance’s movement and invited him to join his tour. After happily accepting and joining Childish Gambino on his national tour, Chance’s popularity began to skyrocket even more.
When 2016 rolled around, Chance the Rapper had already established himself in the top tier of the music industry and had done it all without being connected to a major label. So, when it was time to release his new album Coloring Book this past May, the young Chicago native had the deals pouring in. After deciding to go with Apple Music because of their creative freedom, Chance the Rapper made history with Coloring Book when it became the first album to ever debut on the Billboard 200 chart (no. 8) based solely on digital streams. To think that all of Chance the Rapper’s success started with a meeting in a Hooters is pretty incredible. It just goes to show patience in anything you decide to do in life is key!
This is a demo store for testing purposes — no orders shall be fulfilled. Dismiss