Today is a special day for Muslims all over the world. It marks the last day of fasting from sunrise to sunset for the month of Ramadan. Known as “Eid al-Fitr” Muslims all over the globe observe the holiday once a year as it marks the time that the Holy Qur’an was revealed.
To celebrate the holiday, Muslims congregate with friends and family and enjoy plenty of good food and gift-giving. As a kid celebrating Ramadan, I always looked forward to my Umi (mother) giving me and my siblings edible gifts such as chocolate rabbits and other sweet stuff.
These days there is so much to be grateful for in life and now Ramadan means so much more to me as an adult than it did when I was younger. For everyone celebrating the holiday today, enjoy! -xoxo 🤎📿😎
Because it’s Friday (Flash Back Friday) and we made it through another terrible work week and because it just wouldn’t be #BrooklynGirlCode™ without the Brooklyn Bad Boy himself… Eddie Murphy!
Hit the link below to watch Murphy’s 1982 critically acclaimed stand-up comedy Delirious that many say was the pivotal film of his legendary career. It’s a blast from the past that is sure to make you laugh!!
***Spoiler Alert*** Content in this film is strictly for adults! Sorry kids! Enjoy the weekend! -xoxo ❣️
Is Future the best rapper alive? GQ magazine surely thinks so! The Hip-Hop star covers the May 2022 issue of the popular men’s magazine and he came dressed to impress!
Ever since Future first stepped on the scene back in the early 2010’s releasing his series of classic mixtapes 1000, Dirty Sprite, True Story, the Atlanta native has been pumping out hit after hit for our listening pleasure. With the unique talent to switch up his flow on every single track according to the beat, Future definitely makes #BrooklynGirlCode’s list of top rappers in the game. So, please don’t count Future Hendrix out when discussing your top five — dead or alive!
Check out the full cover story here via GQ.com and scroll down for more cool pics of Future from his GQ spread! -xoxo #BrooklynGirlCode <3
It was a star-studded event this past Friday when NYC Men Teach presented: “A Hip Hop Cypher.” Everyone bought their best rhymes and poetry to the cypher while some of today’s top Hip-Hop artists and influencers stopped by to drop some beautiful gems for the next generation of Hip-Hop artists. Celebrities who were in attendance included Big Tigger of BET’s Rap City, the lovely Free (formerly of 106 & Park), Philly’s own Freeway who was celebrating 19 years of his debut album Philadelphia Freeway; News anchor/activist Dr. Marc Lamont Hill who dropped tons of Hip-Hop knowledge on us, DJ Whutever and Umar Bin Hassan of legendary spoken word group The Last Poets who served as the elder for the evening’s festivities.
Everyone bought their A-game to this successful and positive event. What a way to cap off Black History Month 2022! Thank you to the moderators Nathaniel Smith, Vincent Deas and DJ Faro who kept us dancing to the hits all night! Special shoutout to all the great people over at NYC Men Teach for putting together such an informative and insightful event! Keep educating! -xoxo
It was the early 2000’s and we were all still getting adjusted to the new millenium and what was to come. Then enters Amber Rose! We didn’t know who she was. All we knew was that she was Kanye’s latest muse and she could dress her @$$ off! There’s been a lot of talk lately. But, when it comes to Kanye’s best dressed leading ladies, Amber Rose understood the assignment for sure! Her “street chic” style even rubbed off a little on Ye influencing his Yeezy brand that he would establish later on after the two split. Either way, Kanye and Amber gave us a whole lot of fly fashion to gaze at while they were together.
In honor of #TBT, #BrooklynGirlCode™ has compiled some of Amber Rose and Kanye West’s best looks from the early 2000’s. Enjoy! -xoxo <3
“She is surrounded by so much love y’all. Our community is right there for her.” – Vivica A. Fox
“I was with Regina King last night and she’s alright…” actress Vivica A. Fox recently spoke on her show Cocktails With Queens and gave viewers an update on how her longtime friend Regina King is doing since losing her son Ian Alexander Jr. to suicide last week. “This has been absolutely one of the longest weekends I’ve ever had in my life. It’s like I can’t stop crying.” Vivica said on the show while holding back tears.
“She is surrounded by so much love y’all. Our community is right there for her.” Our love and support go out to Regina King during this difficult time. Scroll down to watch full video. -xoxo #BrooklynGirlCode™ 👑 👑💜💜
“This is a lily white sport. Make no bones about it.” – Peter Westbrook
Peter Westbrook knows all about the sport of fencing. The six-time Olympic bronze medalist has been sending African-American fencers to the Olympic Games for the past two decades. I, myself started fencing at the Peter Westbrook Foundation when I was eleven-years-old and I’ve had the opportunity to know Peter Westbrook not just as an Olympian but as a human being. And trust me — they don’t make them like him anymore!
Next month for the Tokyo 2020 games, the Peter Westbrook Foundation will be sending a quarter of Team USA’s men’s fencing team to compete. This is something no other organization has done to date. Check out the cool news special CBS New York recently did highlighting the Peter Westbrook Foundation below. Good luck to my PWF fencing family at the Tokyo 2020 games next month. I’ve been knowing these Good Men all my life!! -xoxo #BrooklynGirlCode <3
“Nobody is making Soul music today. “Soul” meaning music from the soul. We consider this type of music “vintage music” because this is the music of the past and this music made you feel good. We’re creating this type of music right now. So, we’re the babies of the vintage music. We’re the Vintage Babies!” -DJ Dummy
If they’re not serenading the Sundance Film Festival crowd or performing for screaming fans at the popular Rockwood Music Hall in New York City, then you can catch the Vintage Babies somewhere making beautiful, compelling music that speaks directly to your spirit! Last month, Brooklyn Girl Code had the chance to sit down and speak with the Hip-Hop Soul duo consisting of Brooklyn’s own DJ Dummy and West Baltimore chanteuse Maimouna Youssef. Collectively, Maimouna and DJ Dummy have worked with several of the music industry’s elite including Common, Kanye West, Talib Kweli, De La Soul, Mos Def, DMX, Onyx, Das EFX, Raheem DeVaughn, The Roots, J. Cole, Trigga tha Gambler, Smooth tha Hustler, Group Home and many others. The duo recently spoke to Brooklyn Girl Code about Soul music, misogyny in Hip-Hop, what it was like being able to experience the Golden Era of Hip-Hop first hand during the early nineties and of course their self-titled debut album. The Vintage Babies are on a mission to save Soul music and we are here for it all!
BKGC: My first question is for Miss Maimouna Youssef. Do you see your growth as an artist from your 2011 album Blooming to your current release Vintage Babies?
Maimouna: My approach as a writer for sure, I feel like I’ve grown a lot. A lot of the songs for the Blooming I had written years before it had even come out. So, this is a more mature version of myself for sure.
BKGC: How did growing up in West Baltimore contribute to your music style?
Maimouna: That’s definitely where I learned to rhyme and understand just regular coming-up in the ‘hood politics and just how to relate to other people. I grew up in a house and my parents are the ones who put me on to Hip-Hop. My dad always listened to Public Enemy and my brothers always listened to Wu-Tang. So growing up they were the soundtrack of my life until I started buying my own music. And I can’t forget those Baltimore club tracks, too (laughs)! So, just the experience within itself.
“Misogyny is a part of American culture. You see how many people are being brought to the pulpit right now in every area from politics to journalism? The music is a reflection of the community. So, it’s (misogyny) in the fibers of this country.” -Maimouna Youssef
BKGC: Listening to the album it’s obvious that you’re big on misogyny in Hip-Hop. What can be done to change this? It seems like it’s in the fabric of the music.
Maimouna: I wouldn’t even say it’s in the fabric of the music. I would say it’s in the fabric of the culture. Misogyny is apart of American culture. You see how many people are being brought to the pulpit right now in every area from politics to journalism? The music is a reflection of the community. So, it’s in the fibers of this country. I’m sure it was brought over from Europe because at that time women were seen as the same as cattle. The first steps are really acknowledging that it’s a problem because if we don’t acknowledge it as a problem then we perpetuate the problem. Women can perpetuate misogyny. If they promote these type of misogynistic ideas to their sons then their sons become those type of people who feel like it’s okay to disregard or degrade women. So that’s what can be done about it. We can stop acting like it doesn’t exist and that it’s not a real problem and retrain ourselves and then our children.
BKGC: So, based off of that who is your favorite female Hip-Hop artist?
Maimouna: Um, I gotta say Lauryn Hill. You know I came up on Lauryn Hill. It was like God, my mom and then Lauryn.
BKGC: (laughs) In that order!
Maimouna: Yeah, ’cause you know my mom is a singer, too. She’s really the one that taught me to sing. I can’t even say I look at it like female emcees. I like who I like in terms of emcees. So, I would just say my favorite emcees who have personally effected my life are Lauryn Hill, Andre 3000, Nas, Jay-Z and KRS-One. KRS-One had a huge impact on my life as a child. So, yeah I would say those artists probably had the biggest influence on me as an artist.
BKGC: Do you and Common currently have something in the works?
Maimouna: We just did a show recently in Chicago. I worked with him on some writing for his last album and he’s also on the Vintage Babies album.
“I love being in the studio because I like to create what’s in my soul at that moment.” -DJ Dummy
BKGC: Okay so now I’d like to ask DJ Dummy some questions. Hi DJ Dummy.
DJ Dummy: How are you?
BKGC: I’m good. I didn’t know your career spanned so many years back. I can’t believe you worked with Group Home. That’s like the era of Hip-Hop that I’m from. Group Home opened up the flood gates for so many of the nineties Hip-Hop groups. What was it like working with Group Home? Were they the first artists you actually worked with back in the 90’s?
DJ Dummy: The first tour I ever went on was actually with Group Home. It was an experience because I was only 18 years old. I’m getting to travel the world with Group Home and yes that was like that era of Hip-Hop that I love so much with the Pete Rocks, the (DJ) Premiers, the Rzas. Those producers were killing the Hip-Hop game. Every record was made by them. So, to be around Group Home who were affiliated with Gang Starr at the time is how DJ Premier became one of my mentors. It was truly amazing to witness that at that young age.
BKGC: How did you get involved?
DJ Dummy: Group Home was on tour with Onyx and Das EFX and my brother was Onyx’s DJ, DJ LS One.
BKGC: Oh! DJ LS One is your older brother and he’s the one who brought you into the game back in the early 90’s?
DJ Dummy: Yes.
BKGC: Nice! So what do you enjoy doing the most? Battle deejaying, club deejaying, concert deejaying, directing music, or being in the studio?
DJ Dummy: It’s all different loves. I love being at the club because I love the fact that I can control anybody’s mood at any given time. If you’re having a bad day at work and you hear me deejaying at a party then you’re going to forget about that whole bad day you just had.
I love being in the studio because I like to create what’s in my soul at that moment. No matter what writer I’m with. Whether I’m doing a Hip-Hop song or an R&B song, all my tracks are stories already within itself without lyrics. I always make beats like that. Being in the studio is my outlet for my personal soul. As far as being on stage at a concert, I love hearing the live aspect of what I just created. I can’t say I love one more than the other. So, those are the reasons why I love my profession.
BKGC: So out of everyone that you’ve worked with, who was your most memorable?
DJ Dummy: Back in November at the Rockwood Music Hall performing with Maimouna.
“My top five artists? Number one is Pete Rock, by far number one. Then I would have to say DJ Jazzy Jeff, Big Daddy Kane, Jay-Z and Andre 3000.” – DJ Dummy
BKGC: Yes. That was an amazing show. I’m glad I was able to attend. Just like I asked Maimouna, who would you consider your top five most influential artists? The ones who inspired you the most to get into music and stay involved?
DJ Dummy: My top five artists? Number one is Pete Rock, by far number one. Then I would have to say DJ Jazzy Jeff, Big Daddy Kane, Jay-Z and Andre 3000.
BKGC: How did the both of you originally connect because it seems like it’s a perfect mesh. How did you guys come together and decide you wanted to form a group?
Maimouna: We met on tour. I was on tour with The Roots, he was on tour with Common. We always ended up on the same tour at some point. Plus, DJ Dummy had a radio show that he let me co-host with him and just act a fool on!
DJ Dummy: That’s what really started our real vibe connection. My morning radio show. The way that we vibed off of each other you would’ve thought that we were already a group and then I’ve always known Maimouna to be one of the most incredible singers that I’ve ever heard. I knew that she could rhyme her ass of as well! So at first, I had her doing work with other people and then I said you know what… “Let’s make a mixtape together!” It was all Maimouna’s idea to make the mixtape. Just the vibe from the mixtape made me want to create more music with her.
BKGC: Divine intervention. That’s what it sounds like to me. Maimouna, how did you initially get involved in music?
Maimouna: I recorded one song with Raheem Devaughn‘s producer Omar and then one of my high school teachers connected me with a publicist who connected me with James Poyser of The Roots and I started working with him and that’s how I got to go on tour with The Roots.
BKGC: How’d you guys come up with the name “Vintage Babies?”
DJ Dummy: That was the brilliance of Maimouna. It’s definitely a sound. Basically, what’s missing today is the soul from all of music. Nobody is making Soul music today and not “Soul” music meaning R&B. That’s not soul. “Soul” meaning music from the soul, emotional music. We consider this type of music “vintage music” because that is the music of the past. That music made you feel good. Even a song like “What’s Going On,” by Marvin Gaye, the way he sung it, it made you feel good. That’s Soul music. So, me and Maimouna came up with that. We’re creating this type of sound. We’re the young ones coming up creating this music right now. So, we’re the babies of the vintage music. We’re the Vintage Babies!
“Me myself, I’m working on a book. A guide for young women getting into the music business. Being a female band leader and what comes with that and just being a girl from Baltimore who’s touched every continent and what that looks like.” – Maimouna Youssef
DJ Dummy: 2018 is going to be more of a focus on the Vintage Babies. Both of us will be working with Common.
Maimouna: Me myself, I’m working on a book. It’s kind of a guide for young women getting into the music business. Like all the things I wish I would’ve known fifteen years ago. Lessons and advice that I’ve been given along my journey. Being a female band leader and what comes with that and just being a girl from Baltimore who’s touched every continent and what that looks like.
“I could’ve went with the biggest artist and I chose not to because I don’t like what they stand for. I’ve been working on tour since ’95. So, we’re talking 22 years now and this is all because of decisions that I’ve made. No, I’m not on the front cover of any magazines. But, my career has sustained and after 22 years I’m still here. Blessed.” – DJ Dummy
BKGC: This next question is for DJ Dummy. What advice do you have for young up-and-coming artists coming into the music industry? It’s not a glamorous industry. What advice do you have for the future Kendrick Lamars and J. Coles as far as staying involved and not giving up?
DJ Dummy: It sounds cliché, but I’m a prime example of staying true to yourself. I’ve been asked to go on tour with many artists. But, I don’t like their music so I didn’t go. I didn’t just take the check and go. Every artist that I’ve been on tour with or worked with, I was a fan of them. So, that goes to other rappers and other producers. Don’t try to make that hit record just because it’s popping right now. I could’ve went with the biggest artist that’s popping right now and I chose not to because I don’t like what they stand for. I’ve been working on tour since ’95. So we’re talking 22 years now and this is all because of decisions that I’ve made. No, I’m not on the front cover of any magazines. No, I’m not getting any producer of the year awards. But, my career has sustained and after 22 years I’m still here. Blessed.
BKGC: Any last words for the people?
Maimouna: Just buy the album. Don’t bootleg it. Don’t just stream it. Buy the album y’all!
DJ Dummy: Make sure to follow us because this is just the beginning and it’s going to be something so much bigger. We’re trying to make music that we know people need. There is a need for a certain type of music right now.
BKGC: Yes, your music is very spiritual. There’s no question about the spirituality that is present in your music. Your music is important!
BKGC: Thank you guys so much for taking the time out to speak with me. I wish you all the best in 2018. 2018 is going to be a big year for the Vintage Babies!
Check out the Vintage Babies latest self-titled debut album here and follow them on Instagram @thevintagebabies for new music and upcoming show dates.
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